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@gdj.marketingnyc · est. 2025
service 02 — content production

we bring the camera. you keep everything we shoot.

one afternoon on location turns into a month of posts. we shoot your space, your work, and your team, then cut it into photos and short video that sound like you — not like stock.

shoot day
3–4 hours
delivered in
7 days
usage rights
yours, forever
A gdj photographer framing a shot on a mirrorless camera during an on-location shoot

a month of content, shot in one afternoon.

what you get

one shoot day, four weeks of posts.

what lands in your folder after we pack up the gear.

01

a planned shoot, not a guess

we send a shot list before we arrive — the products, rooms, processes, and people we want. you know exactly what's happening and nothing gets forgotten on the day.

02

30+ edited photographs

colour-graded and delivered in three crops: square for the grid, vertical for stories, and wide for your website and google business profile.

03

8–12 short videos

vertical, 15 to 40 seconds, cut for instagram reels and tiktok. captioned, hooked in the first second, and exported ready to post.

04

captions written for you

every asset arrives with a caption in your voice, plus the hashtags that actually apply to your area and trade. copy, paste, post.

05

a four-week posting calendar

what goes out, on which day, on which platform. if you'd rather not think about it, we schedule it for you.

06

full usage rights

the raw files and the edits are yours. run them as ads, print them on a truck, hand them to a different studio in two years. no licence to renew.

the process

how a shoot day runs.

planned tight so it takes half a day of your time, not a week of it.

A camera body, lens, grey card, warm filter and four contact sheet strips laid out after a shoot
1

we plan the shoot

a short call to agree on what we're capturing and why. you get a shot list and a call sheet, so nobody's improvising when the lights are up.

3 days before
2

we shoot on location

three to four hours at your shop, site, or studio. we bring lighting and audio. you keep working — the best footage is usually you doing your actual job.

shoot day
3

we cut and colour

selects, colour grade, captions, and vertical exports. you see a first cut with time to ask for changes before anything is final.

days 2–5
4

we deliver and schedule

everything lands in one organised folder with the calendar. we can load the first four weeks into your scheduler and hand you the keys.

day 7
questions

the things everybody asks.

do we have to be on camera?

no. plenty of our best-performing content is hands, product, and process with no faces at all. if you do want to be on camera we'll direct you through it — nobody is naturally good at this and that's fine.

what if my space doesn't look great?

that's usually a lighting problem, not a space problem. we bring our own. we'll also tell you honestly ahead of time if one corner is worth tidying, so the day isn't spent working around clutter.

how often should we shoot?

most clients do one shoot a quarter and post from the library in between. if you're pushing hard on social or running ads, monthly makes more sense. we'd rather you shoot less and post consistently than the other way around.

can you post for us too?

yes. we can schedule everything and manage the account day to day, or just hand you the folder and calendar if you'd rather keep it in-house. both are fine.

how is a shoot priced?

one flat number per shoot day, quoted before we book the date. it covers the shoot, the editing, and the calendar. what moves it is how many locations we're covering, whether we're hiring talent, and whether you want a longer brand film alongside the short-form.

let's get you a month ahead.

tell us what you'd want to show off and we'll put together a shot list and a price. no pitch deck, no pressure.